Slovenia and the OHO Art Collective
In the 1960s Milenko was a member of the Slovene neo-avant-garde movement OHO — a collaborative of visual artists, writers, filmmakers, musicians and theorists. After a few years, the movement transformed into the OHO Group (1966-71), where Milenko, one of the four founding members, started with visual poetry, drawings, paintings and objects. As part of the group, Milenko held to the stated goal of challenging the status quo of what art was and how we can experience it in our everyday lives. This quickly graduated to conceptual projects, actions and happenings.
In the summer of 1969, Milenko found a more collaborative approach to his art: instead of just making objects, he focused on highlighting his own relationships with fields, parks, walls, rivers, sunsets, night skies, and people. The principles he invented in those years influenced all his later work.
After a few years, members of the OHO group started to question their involvement with traditional arts venues. Their experience of the art world, through exhibits such as the International Show at New York’s Museum of Modern Art in 1970, seemed the antithesis of the original pursuit — to push art into life. In April of 1971, the OHO Group left the art world and moved in separate directions; Milenko stopped identifying solely as an artist and started to explore new territory at the nexus of art and community.